Live Broadcast Meets Gothic Theatre
In 2011, RG Jones Sound Engineering was asked to provide complete live audio production for one of the BBC’s most ambitious broadcast experiments to date: Frankenstein’s Wedding… Live in Leeds.
Part gothic drama, part live concert, and part immersive theatre, this BBC Three live TV special transformed the medieval ruins of Kirkstall Abbey into a hauntingly beautiful soundstage—broadcast in real time to a national audience and performed before 12,000 live attendees.
The Monster Broadcast
The production reimagined the classic tale of Victor Frankenstein and Elizabeth Lavenza with a sharp contemporary edge. The audience, dressed as wedding guests, became part of the story—congregants witnessing the doomed union. The show combined live action, pre-recorded film, contemporary music performances, and immersive audience choreography, culminating in a one-night-only televised event unlike anything before.
RG Jones’ remit was to support this hybrid broadcast experience with a powerful yet discreet live sound system capable of:
- Supporting live vocals, spoken word, and orchestration
- Reinforcing contemporary music tracks and cues
- Ensuring clear and intelligible audio across the full abbey site
- Accommodating both the TV production’s multi-feed broadcast mix and the on-site audience sound experience
Multi-Disciplinary Coordination
This wasn’t your average live gig. The event involved:
- BBC Studios & Post Production
- Phoenix Dance Theatre (choreographing the mass dance finale)
- 12,000 audience members acting as extras and guests
- A cast of prominent actors including:
- Lacey Turner as Elizabeth
- David Harewood as The Creature
- Andrew Gower as Victor
The RG Jones team worked closely with BBC engineers to coordinate FOH and monitor systems while also facilitating clean feeds for broadcast, stage management cues, and real-time audio transitions between live and pre-recorded content.
We’re trying to inspire mixed emotions – empathy for the creature and great fear of what he’s capable of.
— Pat Connor, BBC Executive Producer
The Technical Challenge
| Key Considerations | Solution Delivered by RG Jones |
|---|---|
| Outdoor, heritage site | Temporary PA infrastructure, rigged with minimal impact |
| Live broadcast + audience | Dual-path mix: clean for broadcast, immersive for live crowd |
| Dynamic staging | Zoned PA and monitor systems for multiple performance areas |
| Choreographed dance event | RF and time-aligned playback for mass-audience coordination |
With the added complexity of site preservation constraints and tight rig/derig turnaround, RG Jones executed a seamless solution that delivered clarity, drama, and emotion in every beat, whisper, and scream.
At a Glance
| Feature | Detail |
|---|---|
| Client / Venue: | BBC Three – Frankenstein’s Wedding… Live in Leeds, Kirkstall Abbey |
| Challenge: | Deliver a dual-purpose sound system for simultaneous live broadcast and large-scale audience experience within a heritage site, balancing power, precision, and preservation. |
| Scope of Work: | Provided complete live audio production for the BBC special, including FOH and monitor systems, multi-feed broadcast routing, RF management, and time-aligned playback. Collaborated with BBC engineers, Phoenix Dance Theatre, and production teams to integrate theatrical, musical, and cinematic elements. |
| Result: | Seamless, high-impact sound delivery that united broadcast, performance, and immersive theatre — bringing gothic drama to life for 12,000 live guests and millions of TV viewers. |