Our Timeline

RG Jones adopted the Morris J-Type van as part of its expanding operations, using it to transport PA equipment, mobile recording gear, and loudspeaker systems to events across the country.

At the same time, RG's passion for theatre remained as strong as ever. He formed The Studio Players, a theatre company dedicated to bringing professional-quality drama to local audiences. Their first play, Night Must Fall, featured sound effects and music recorded on RG Jones records — a further example of how his work in sound and performance seamlessly intertwined.

By 1954, RG Jones was proving he was more than just an engineer — he was a storyteller and innovator, pushing the boundaries of sound in live productions.

That year, he wrote, produced, and recorded the historical pageant The Storming of Quebec at Belle Vue, Manchester. The production was groundbreaking — staged on a massive island in a lake, with a life-sized replica of Quebec, an audience seated on the opposite shore, and a cast of over 100 performers.

For the first time, pre-recorded audio was seamlessly integrated into a large-scale production, with performers miming to the soundtrack. The show was a technical triumph, featuring:

• Explosive pyrotechnics, heightening battle sequences
• Beautifully designed period costumes and sets
• Cutting-edge sound equipment, ensuring crystal-clear audio

Following its resounding success, RG produced The Siege of Lucknow the following year, further cementing his pioneering role in immersive live audio experiences.

At a time when cinema was transitioning to sound, RG was already proving how technology and storytelling could merge to create unforgettable audience experiences.